The Narrator

It has a moment in the narrative, that the citizen is described for the executive of fearful form … Age a white man, strong, of long hair. … (FONSECA, 1994 412) This image is placed by personage of deductive form, therefore the narrator-personage does not repair in the beggar and, for deduction it constructs such image. The thought on something or somebody as Discardings are real from the vision that I have. …

As the rationalism … the results of the logical deductions Only agrees to the reality … the thought for abstract concepts and universal, separate of the sensitive experience, it has value of reality (LUIJPEN, 1973 p.125). However, the philosophy of Discardings suffers a contradiction when it is directed to the last paragraph of the story, when it shows the personage of the citizen as it really was and not as he had been represented for the executive. I closed the door, I was to my room.

I came back, April the door and it to seeing it said me? it does not make this, doctor, it only has you in the world. He did not finish to speak, or if I said I did not hear, with the racket of the shot. It fell in soil, then vi that he was a franzino boy, of spines in the face, and a so great pallor that not even the blood, that was covering its face, obtained to hide. (FONSECA, 1994 P. 414) In this stretch, we perceive as the personage is deprived of characteristics, opposing the thought that Discardings has on the representation, where what I believe, becomes real. The human being according to look at cartesian is metaforizado as machine, not allowing to know its subjectivity. Had to this, the judgment concerning the other is presented according to internal conscience that I have on it. … Exerting the mechanism of the doubt above all what it has is that it is known, discovered in the interioridade of the conscience the certainty of the existence, for the exercise of the thought.