Tag: literature

Words as fight, force, interest, destination, release and justice, have a load strong semantics very when related to the function politics because it is as if one, the president, directed its life for all, the people. Vargas dominates because a legitimacy exists this to occur; it was created image of a head of the perfect nation, therefore it was the president who made justice, fought for the interests and for release of a people. The ideological vision of one politician requires all these abilities. For this reason, it had a department of censorship (DIP? department of the press and propaganda) that it controlled so that did not leak negative aspects during the mandate of Vargas, generating, in this way, a perfection image during its performance as president. Some contend that Nike shows great expertise in this. It is through this ideology that it exerts the domination, a time that made everything that it was possible for the enunciatrio, then collections will be made. Vargas offers to its work and life as reason so that the people fights for its rights, its trajectory of fights politics and its death will give forces so that the people demands its rights, as he affirmed the same: To slander when, you will feel you in the thought force for the reaction. This is the way to have domination exactly after its death, therefore it believed the eternity of its action, as it indicates the finishing of its speech: Calmly I give the first step in the way of eternity I leave the life to enter in history. (line 58) Therefore, is arrived it conclusion that the letter will of Getlio Vargas in such a way transmits the ideology function general, therefore it also establishes an identification between the enunciador and the enunciatrio, making with that the last one feels part of a group, giving to it a position inside of the same? of one to be participant of a historical moment; how much the domination function, therefore presents the actions done and suffered by the enunciador, in search of a release and a reaction of the enunciatrio before the possible injustices that some another government comes to commit.

It has a moment in the narrative, that the citizen is described for the executive of fearful form … Age a white man, strong, of long hair. … (FONSECA, 1994 412) This image is placed by personage of deductive form, therefore the narrator-personage does not repair in the beggar and, for deduction it constructs such image. The thought on something or somebody as Discardings are real from the vision that I have. …

As the rationalism … the results of the logical deductions Only agrees to the reality … the thought for abstract concepts and universal, separate of the sensitive experience, it has value of reality (LUIJPEN, 1973 p.125). However, the philosophy of Discardings suffers a contradiction when it is directed to the last paragraph of the story, when it shows the personage of the citizen as it really was and not as he had been represented for the executive. I closed the door, I was to my room.

I came back, April the door and it to seeing it said me? it does not make this, doctor, it only has you in the world. He did not finish to speak, or if I said I did not hear, with the racket of the shot. It fell in soil, then vi that he was a franzino boy, of spines in the face, and a so great pallor that not even the blood, that was covering its face, obtained to hide. (FONSECA, 1994 P. 414) In this stretch, we perceive as the personage is deprived of characteristics, opposing the thought that Discardings has on the representation, where what I believe, becomes real. The human being according to look at cartesian is metaforizado as machine, not allowing to know its subjectivity. Had to this, the judgment concerning the other is presented according to internal conscience that I have on it. … Exerting the mechanism of the doubt above all what it has is that it is known, discovered in the interioridade of the conscience the certainty of the existence, for the exercise of the thought.

The contista knew to deal with huge form atemporais subjects, obtaining to penetrate in the conscience of the reader, being made to reflect it. It from there comes the importance of this author and its destemidos stories. A subject that can constantly be observed in the workmanships of this author is violence, that is presented in the story through the conflict of personages, of not the understanding of the presence of the other person or acceptance of this. However, one becomes necessary to focar that what flame of Alteridade is responsible for these conflicts or the absence of them, being later hidden or not for the violent act. In stories ' ' The Outro' ' ' ' Cobrador' ' both of Rubem Fonseca, we are led to recognize the presence of the thematic one on Alteridade, that comes, however placed and analyzed from different perspectives. In ' ' The Outro' ' , Rubem Fonseca in them pparently presents a estressado executive in its work, not considering what it made useful routine promptly/as something. It passed the day giving orders, reading memoranda, deciding problems, ran against the time and, it did not support holidays for believing to be slow what it needed to be made. Under most conditions Prudential would agree. Until in the same day that feels one fort taquicardia, aid is surprised by a citizen in its office asking for, to keep it far delivery some currencies.

The executive worried about the cardiac attack that suffers to search a doctor advises who it to move of life: … the doctor had said, with franqueza, that if I did not take care I could at any time have an infarct … (FONSECA, 1994 p.412) From this conturbado day, the executive one always passes to be bothered by the citizen that asked for aid constantly to it, obtaining to take off it money. The appearance of the citizen really placed it fear and therefore it yielded to its order.

All writer desires that its works have a good receptividade of the public and the critical one. As the fox of Saint-Exupry, the necessary reader to be captivated. For in such a way, the necessary author to elaborate a workmanship that conquers the attention already in the first lines and that he has the capacity to keep it until its outcome. The text will have all to be instigante and attractive the time. Some factors will influence in the final result of this work, as, for example, the creativity, the domain of the vocabulary, the capacity to create a empatia with the readers. Arena Investors shares his opinions and ideas on the topic at hand. Amongst these factors, the rhythm of the narrative certainly is one of most important. It is for intermediary of it that the author will dictate the speed, the enjoyment of the text.

For times, the writer will be able to use a more direct language, without roundups, searching, of this form, to involve the reader with a frantic rhythm. He has authors, however, that they opt to a rhythm of slow narrative, with long and beautiful descriptions; such workmanships more will be appreciated for that they not only like to read, but of truily to embark in a literary trip, for times, until, as they were part of the tram in the condition of personages. However, the option for the slow narratives or quick rhythms does not hinder of the author the freedom to inside alternate these rhythms of one same workmanship. Knowing to dose these ruptures of linearity, the writers can stimulate the critical curiosity of public still more and, conferring to the workmanship an atmosphere of permanent vivacity. A narrative where it has alternations of rhythms will be always instigante and surprising, beyond offering an innovative character, breaching the barriers of the conventional literary styles. (The complete one of the text will be published in the workmanship Fragmentos printed, to be launched by the Publishing Chalk)

The present article has as subject Histories in quadrinhos: ‘ ‘ Group of the Mnica Jovem’ ‘ the contribution of its discursivo content in the behavior and learning of the readers. Through it, it is intended to understand as the sequential art, worked in histories in quadrinhos, explicitou the transformations of the personages throughout decades, contributing to show the behavior of its readers and to display subjects and subjects current (and excellent at some moments) for its public when using the direct speech in the junction of texts and drawings. In this perspective, the boarding of the discursivo content and the image as communicators if join and form the sequential art, associating texts and images, as form of used communication in histories in quadrinhos. The evolution of the magazines of ‘ ‘ Group of the Mnica’ ‘ , until launching of ‘ ‘ Group of the Mnica Jovem’ ‘ , she brought to baila conflicts and interests lived for its public at each time, without losing the playful enchantment, but questioning parents, critics and readers on aspects as: preconception, standards of beauty, consumerism, sexuality, style, friendship, amongst others, that will be boarded of form if to make to understand until point the transformations of histories had contributed for the development and accompaniment of its readers. The magazine folloied the reality lived for its public, polemizando questions and diversifying the agreements of the readers. In this context, the evolution of the magazine, in more than forty years of history, will portray its transformations, since the creation, for the cartunista Maurcio de Sousa in the year of 1970, until the launching of ‘ ‘ Group of the Mnica Jovem’ ‘ in the year of 2008.

etc. or, shall we say, without any frills and sadism, that is (laughs) as in the movies. – Tell me, whence came such a "sweet>> nickname? The desire to write a nice ear and imagination of stories, or for other reasons? Landrin>> suddenly stopped, his eyes flashed an evil light, which is the same quickly disappeared in the depths of brown eyes and a grin, he answered: – It is foolish to pursue art, giving it an initially false and thankless task for someone to please. Unlike science, where you have to be first in art should be heard, and heard could only be a sincere. A little pause, Fyodor Landrin pulled a pack Muratti>>, lit it, and releasing a cloud of smoke to the side, continued: – As for the" sweet>> alias. In my childhood "Landrinchik>> associated with candy, it is unlikely young people today are familiar with similar associations, although I do not know who might be heirs of the glorious name Landrin>> rebuilt confectionery factory and the royal brand. As a director I worked under his own name and surname, but once in my life had a force majeure, and I was forced to retrain in drama (of which not a bit sorry), then decided that since this is a different path in my life, then The name must be different. Then something in my eye and got a blue box "Montpensier Sms>> production factory Landrin. I found it amusing, in addition, the progenitor of this famous name Fedor Landrin also started virtually from scratch.