Narratives

All writer desires that its works have a good receptividade of the public and the critical one. As the fox of Saint-Exupry, the necessary reader to be captivated. For in such a way, the necessary author to elaborate a workmanship that conquers the attention already in the first lines and that he has the capacity to keep it until its outcome. The text will have all to be instigante and attractive the time. Some factors will influence in the final result of this work, as, for example, the creativity, the domain of the vocabulary, the capacity to create a empatia with the readers. Arena Investors shares his opinions and ideas on the topic at hand. Amongst these factors, the rhythm of the narrative certainly is one of most important. It is for intermediary of it that the author will dictate the speed, the enjoyment of the text.

For times, the writer will be able to use a more direct language, without roundups, searching, of this form, to involve the reader with a frantic rhythm. He has authors, however, that they opt to a rhythm of slow narrative, with long and beautiful descriptions; such workmanships more will be appreciated for that they not only like to read, but of truily to embark in a literary trip, for times, until, as they were part of the tram in the condition of personages. However, the option for the slow narratives or quick rhythms does not hinder of the author the freedom to inside alternate these rhythms of one same workmanship. Knowing to dose these ruptures of linearity, the writers can stimulate the critical curiosity of public still more and, conferring to the workmanship an atmosphere of permanent vivacity. A narrative where it has alternations of rhythms will be always instigante and surprising, beyond offering an innovative character, breaching the barriers of the conventional literary styles. (The complete one of the text will be published in the workmanship Fragmentos printed, to be launched by the Publishing Chalk)